Therapy

I live in Nashville with my family, and here, music really is everywhere. Any night of the week, there’s a live show to see, a number one party to attend (if you’re in the business or in the know), or an open mic night to take part in. All that music, whether you’re involved with it or not, shapes a city. I think it makes a place more dynamic and certainly more creative, and I might even venture to say it makes a place more friendly. Music, like laughter, and, ok, just about any form of art unless it is really weird, is a unifying force, and I consider it a privilege to live in a place that is creative at its core. It may not be as chic or as metropolitan as my previous home, but it is as unique and inspiring as any city I’ve ever visited or lived in.

Because my husband works in the music industry, we enjoy some insider’s perks. The other weekend, we were in North Carolina for the Mountain Song festival (highly recommended) and had All Access passes thanks to an awesome little bluegrass band, The Steep Canyon Rangers. Steve Martin, who I am convinced must be one of the world’s most creatively gifted people, often tours with the SCR and plays banjo with them, and he was there, with his wife Anne and their dog Wally, for Mountain Song.

All Access basically means Andrew and I got to go back stage and hang out with the band, and that when they were performing, we could sit in folding chairs at Stage Left and watch the intimate workings of a show in progress. We didn’t spend a lot of time with the Steep Canyon Rangers because they were warming up, and we did not even meet Steve Martin for fear of making an awkward scene. (What would we have talked about? That my roommate and I watched “Father of the Bride” on an almost weekly basis my sophomore year of college? Best for some conversations not to be had.) But we did have a pleasant conversation with Anne, and we got to meet Wally, a yellow lab that can only be described as one gorgeous hunk of love.

When the music started, it didn’t really matter that we were back stage. We would have enjoyed the show if we’d been on the farthest row back, because with Steve Martin there it was kind of like a comedy set to music, and there just isn’t anything more fun than that. But having that insiders’ vantage point meant that we could see how the guys backstage handled the instruments, carrying them gingerly as they walked quickly to put them in place, setting them down gently, making sure the banjos’ shoulder straps were loose and straight with the same delicacy a maid of honor unfurls a bride’s train. We were able to see how much pure fun the Steep Canyon Rangers have with their music, how the humor that comes from the strings and their voices really is not as much an act as an acting out of joy. And it was easy to see that there, on stage and in the midst of music, Steve Martin is just one of the guys,someone who can play one heck of a banjo solo and can write one heck of a tune, but otherwise, a (very high profile) member of the band.

For me, music is therapy. It has the power to uplift, enlighten and distract. If Andrew and I have had a tough week, there is nothing better for us than a night of music. In the midst of music’s heavenly harmonies, we are somehow able to find ourselves again, to figure out what is most important and to hold onto that perspective for a good long time, sometimes a week or more.

Being able to go back stage and meet Steve Martin’s dog has its perks, but to be in the presence of music, really great music, is truly the best of all gifts, and I couldn’t be more grateful to Woody and the Steep Canyon guys for giving us the chance to get up close to their truly remarkable talent.

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Beautiful Time

By Nic-C

While reading the New York Times the other morning, I was distraught to find not one sampling of good news. Not one. Every ugly headline I read had something to do with destruction on both a global and a personal scale. And for days afterwards, columns of bad news piled up around me, rising like cinders, threatening to distort my world’s simplest joys.

More than that, the bad news made me think about the world we are handing to our children, to my children, and how I might help them cope with the onslaught of negative information and experience (i.e. middle school) that will inevitably come their way.

When I was growing up, I read and wrote poetry to process and lend beauty to circumstances that were not always the best, and some of my favorite memories of my father, a strapping, stoic farmer, are of his recitations of poetry at the dinner table – something that shaped my love for language and the comfort I’ve taken in it. So, I decided that I would help my family (and myself) combat the stress and uncertainty of each day with a few minutes each morning dedicated to the consideration/reading/hearing/tasting/smelling/seeing of something beautiful.

We call it “Beautiful Time.”

Now, this is a lovely idea in theory. And, actually, it’s a lovely idea in practice, except that our three year old has her own conceptions of beauty, and TV happens to be one of them.  Each morning, we drag Claire away from “Jack’s Big Music Show” to share with her the things we hope will eventually sustain her when NickJr. is a thing of the past: truly great music – not just classical, but rock, folk, country and alternative – beautiful, interesting art, and kind words, spoken and written.

For now, we recognize and give in to our children’s line of vision: we allow Claire to put on her princess dress and dance to Schumann’s Piano Concerto in A Major, even if it’s a harried morning; on occasion, we use her art as a “Beautiful Time” focal point; we ask her what she thinks is beautiful, how she feels when she makes something beautiful (“happy”), and what makes her feel loved. In this way, her perspective (and soon, Elizabeth’s) will shape our grown up perspectives on beauty in all its forms, bringing with it a peculiar joy and curiosity.

Absorbing artful sustenance for whatever lies ahead seems a good practice for anyone unwilling to surrender completely to the world’s painful realities. It can be a reminder of how best to process bad news – a lot of incredible art has been born of hard times – and how to find a center point of beauty and strength to return to in otherwise unwieldy chaos.

On Tuesday, we looked at a wood carving of a flower Andrew’s dad made when Andrew was Elizabeth’s age. It is one of his simpler carvings, but beautiful, and both our girls loved holding it and running their fingers across its intricate detail. Claire was so enamored by the idea of “Pete” having made the carving that she lingered longer than usual at the kitchen table, and didn’t even ask for the TV to be turned back on, allowing me, even, to read her a poem far above her reach, but filled with beautiful words. I’ve posted it below to give you your own bit of sustenance for whatever your day may hold.

From Blossoms

By Li-Young Lee

From blossoms comes
this brown paper bag of peaches
we bought from the boy
at the bend in the road where we turned toward
signs painted Peaches.

From laden boughs, from hands,
from sweet fellowship in the bins,
comes nectar at the roadside, succulent
peaches we devour, dusty skin and all,
comes the familiar dust of summer, dust we eat.

O, to take what we love inside,
to carry within us an orchard, to eat
not only the skin, but the shade,
not only the sugar, but the days, to hold
the fruit in our hands, adore it, then bite into
the round jubilance of peach.

There are days we live
as if death were nowhere
in the background; from joy
to joy to joy, from wing to wing,
from blossom to blossom to
impossible blossom, to sweet impossible blossom.