Planting Seeds

If you have children of a certain age, or if you just happen to love musical theater, then you know the power of the Hamilton soundtrack on repeat. My kids’ recent favorite song is “Non-Stop,” but my twelve year old can belt “Helpless” with an understudy’s zeal; my eight year old can roll his r’s just like Jonathan Groff’s King George III in “I’ll Be Back,”; and my ten year old has been known to pass a melancholic, quarantined afternoon with “It’s Quiet Uptown” on repeat.

My personal favorite, though, is a song that the kids usually skip. “The World Was Wide Enough” sets the scene for the duel between Aaron Burr and Alexander Hamilton. In a play that harnesses the drama and intrigue of American history to such a degree that even an eight year old can sit watching with riveted attention, this is arguably its most dramatic and powerful moment. As the song builds and Burr fires his shot, the scene freezes around them. Here, Alexander Hamilton gives us his last words:

“Legacy—what is a legacy?” he asks. “It’s planting seeds in a garden you never get to see. I wrote some notes at the beginning of a song someone will sing for me. America, you great unfinished symphony …”

If I forced my kids to listen to this bit of drama over and over, they’d whine: “Mom, this is so sad!” and we’d flip back through to “Satisfied,” or “Wait for It,” depending on the mood. But for me, “The World Was Wide Enough” captures Lin Manuel Miranda’s inspiration at its height, and it carries a message especially prescient for today’s America.

We often relegate the word “legacy” to people who are capital-I “important.” Famous nation-builders, writers, artists, physicians and pioneers in all manner of fields leave legacies. But what about our friends and neighbors? What about us? What seeds are we planting in the gardens we’ll never see?

Now less than two weeks from the outcome of an election that could just as easily be likened to a reckoning, I think about this. Last week, as I stood in line for an hour and a half at my local early voting precinct, I felt so proud to be a part of a country whose founders envisioned raising our minds and our voices rather than raising our guns.

Alongside me was an elderly man shuffling through the infinite line dragging his bad leg by a walker. A woman and her husband dressed beautifully for this unique and privileged occasion. She was wearing a feathered hat. Two haggard, unshaven guys behind me discussed the books we passed as we wound through the stacks of the public library before reaching the voting booth. A woman well ahead of me in the maze broke rank for just a second to compliment a faraway voter on her shoes.

America, the beautiful. America, the complicated, the imperfect, the human. The unfinished. How I love thee.

You, yourself, might be standing in line to vote as you read this. Or you might be planning to watch the debate tonight, to see if it will help you make your final choice. You may be wrestling with messages from your upbringing–past wounds and loyalties that get in the way of clarity.

Or, you might feel a bit defeated and apathetic: does any of this even matter? I think we all know what Alexander Hamilton would say to you: definitively, it does.

On our way home from school each weekday, we pass a beautiful white church on a prominent street. I first saw the protesters gather there in May, but they looked a little different from the people peacefully protesting and rioting in the streets of cities’ downtowns. This brave cluster was made up of elderly white people. Some of them leaned on canes; all of them wore masks. They held Black Lives Matters signs, standing six feet apart in their geriatric shoes, and they rang cowbells. (Who doesn’t love a little cowbell?) At first, there were no more than a handful of them — five or six at most. Over the summer and fall they’ve grown to forty or more.

This week we saw them again, and the kids and I had a Hamilton moment as we slowly drove by. “Who Tells Your Story” was on full blast, and we had the windows down. The day held that warm, soft autumn light that makes October in the South so wonderful. My eight year old leaned as far out the window as he could safely do. “The Oldies are protesting, Mom!” he said with delight. In his face was this incredible mixture of hope and joy. I’ll never forget it. They’re planting seeds in a garden they may never see. For my kids, it’s a lesson that you don’t have to stop growing even as you grow old.

Beneath the political noise and the fear-mongering, the paid political advertisements, the endless loop of your newsfeed, and the drone of cable news, Hamilton inspires this one helpful, clarifying question:

What might bloom in the garden where you intend to plant your seeds?

Vote wisely, friends. History has its eyes on us.

Wake Up

Photo Credit: Laura Chouette

At some point during quarantine, our youngest child started giving us all a little nudge.

“Mama … Mom … Mom … Mom … Wake up!” he’d say to me when I was absently scrolling Instagram.

“Wake up!” he’d say to my spouse, glued to the two computer monitors he’d set up in his “home office” (i.e. the kids playroom).

“Wake up!” he’d say to the girls as they did their school work via screens.

“Wake up!” to me, again, as I texted friends, read recipes, researched emergency homeschooling techniques, worked on the stalled-out novel I’d previously been making good progress on, and scrolled Facebook to see if the world really was as crazy as it felt, and if everyone else thought so, too.

What he was saying was “pay attention to ME,” of course. He’d learned how to scramble to the very top of our hallways’ door frames, and how to physically climb our walls, and he wanted us to see. But there was something in his phrasing that carried foreboding:

Wake Up!

What, exactly, were we asleep to?

Like everyone else, we’ve muddled through our quarantines. For a while, I made a paper chain and wrote down each day’s activities: worked on jigsaw puzzle; went for a walk even though it rained; played Yahtzee seven times, cleaned out the closets, etc. Already fairly outdoors-loving people, we’ve embraced, even more, all the open spaces that exist within a three hundred mile radius of where we live. We’ve read lots of books. We taught the kids how to play Hearts, Spades and Russian Bank. We gave them unfettered time on their devices. We bought a trampoline; we let our twelve year old go on solo runs; we granted permission for unchaperoned neighborhood bike rides. We fielded our kids’ unanswerable questions; we held non-celebrations for three family birthdays (four, if you count the dog’s), and my husband and I even went on a “date” in our garage.

We were AWAKE, for heaven’s sake. We were more awake, even, than we wanted to be; more awake, maybe, than we have ever been.

But about a month ago, knee-deep in pandemic fatigue, I took a step back. The kids had returned to school, and I’d started working again, however haltingly. Still, I couldn’t concentrate. My watch and my phone and my computer kept dinging. Every time a news story broke, I was too often propelled to social media, where a tidal wave of opinion, hearsay, fabrications, prideful misinformation, mean fun and hard news would, shamefully, ruin my day.

After a particularly testy conversation with my mother, she asked, “What is WRONG with you?”

I have a thousand answers to that question, but, quite honestly, the constant, muffled rage I’d been feeling was a bit … unnatural. So, I reassessed. I started paying attention to the way my body actually felt when I tapped that Twitter icon, or when I saw the outrageous memes, posted by both left and right-leaning “friends,” on Facebook. I took stock of the low-level depression and the high-level anxiety and the general frustration it all ignited within me.

I became more and more aware that I’ve been holding my breath rather than actually breathing. And I started wondering what it might feel like to be both less irate and less foggy, a paradoxical pairing that nonetheless seems wildly appropriate for today’s social and political landscape.

First, I deleted the Twitter app from my phone, and I found that I didn’t miss it. After a Facebook post announced that no one could be a Christian, an American AND a Democrat–I mean, really?–I gave that up, too.

A few days later, my husband and I sat down and watched Social Dilemma on Netflix, and it affirmed everything I’ve been processing over the past several months. Our perspectives are distorted because we are being pushed around by algorithms and unnatural digital platforms that actually don’t “care” whether we live in a functioning society or not. They don’t value our relationships. The Internet doesn’t mind pushing conspiracy theories or sowing division, and, unfortunately for we actual people, the weaker members of humanity and politics don’t mind agreeing with distorted reality so long as it’s used to their advantage–creating a snowball effect of enormous proportions.

Now six weeks in to my social media hiatus, the itch to see what “everyone” thinks is gone. After turning off all my phone’s notifications, aside from texts and phone calls from real people, the fog has begun to lift. I know where to get my news. But rather than having it dumped on me throughout the day, when I’m in a frame of mind that can abide it, I go looking for it myself.

Which leads me here–twenty-some days out from a major election that will likely impact whether or not social media companies face regulatory oversight. What if we all decided to wake up? The internet only has as much power as we allow it. Without us, its distortions have no agency. I’m not suggesting that we go back to 1990s-era bag phones–only that we begin to think more intentionally about how these pocket-sized computers can be used as tools, rather than allowing ourselves to be the ones who are used.

A Plan For Tomorrow

Photo by Jeremy Bishop on Unsplash

By the time all this is over, my hair will be gray at the temples, gray at the roots–and not from the stress of quarantine, though it is stressful–but because the gray is something I’ve been covering for years.

By the time all this is over, I wonder: what else will be laid bare that has been hiding in plain sight?

I picture myself in mid-May–or will it be August? Or November? Will we, after so many days unmarked, even know? I’ll drop the kids at school to gather supplies abandoned before their worlds stopped turning. They’ll clean out their desks and discover little bags of goldfish crackers and nutri-grain bars shoved to the back of their cubbies, long forgotten; wrinkled papers covered in math they used to know; spiral-bound agendas whose daily trends toward progress will look, even to them, naive.

No one will be able to fool them then. Tomorrow, it will be clear, is only an idea, a matter of hours.

But it is the hope of tomorrow that still gets me up in the morning. Nine days in to quarantine also means nine days out.

When it happens–when the world opens up again–I will be radiant. So will you.

I will be fearfully, joyfully, wildly gray; kinder, maybe.

I will be older. So will you.

We will enter in to the world then with a tender awareness of the many things we each have been covering up all this time and how they have been laid bare.

It will be okay, whatever you are afraid of. You can’t see the helpers now, but they will be there, emerging from their homes; appearing next to you, where they maybe have been hidden all along; walking alongside you on a road you’d thought abandoned, all your own.

Have you woken up each morning of quarantine and wondered when it will all end? How it will? Me too. See? We are not alone, after all.

One more thought to get you through today, the many hours ahead that will be spent behind your own four walls; the hours you will spend cajoling your children to go outside, to take deep, healing breaths in celebration of those who, as of this moment, cannot fully breathe; the hours that you will hold the sick and those who care for them up to the light; the hours ahead of you which will be filled with buzzing news alerts; the hours ahead of you in which you may feel you are sealing your own leaking boat with paper and scotch tape:

Maybe what we were living before was its own sort of quarantine. There would have been no way for us to know it. We couldn’t have seen.

But in the after that will be, months from the isolation that was and the quarantine that is now, we will see the world differently.

After all this, it won’t be hard.

We will reach out and link arms and find ourselves buoyed by a generosity that had been buried so deep within us that we’d forgotten it was ever there in the first place.

We will find ourselves reaching not only for our hair dressers, but also for one another.

We will see all the grays that everyone has been covering and offer a shrug of dismissal. Of course, they’ve always been there–the roots of things, buried deep, that tell the truth.

We will need to be gentle. We will need to apologize, maybe. We will need to listen, and to act, and to do so as though we were called to it, to do so as though this was all meant to be.

Find Me at AHA

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Art House America is a wonderful nonprofit for whom I have written several essays in the past. I am proud to be part of an organization that that seeks to inspire its readers, and whose aim is “Cultivating Creative Community for the Common Good.”  Let me know what you think of my essay, “Eulogy:”

http://www.arthouseamerica.com/blog/eulogy.html

I can’t remember a time when I’ve worked so hard at getting every word just right!

Strange Fashions

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I spent last weekend with some of my closest friends in the mountains of North Carolina. We’ve been getting together on an annual basis for nine years now, and although we don’t all live within driving distance of one another, we are as close as we’ve ever been.

These ladies all vetted my would-be husband and then stood beside me when I married him. They helped me say goodbye to my dad, heralded the arrivals of each of my children and have otherwise served as fine, funny, encouraging friends ever since I’ve known them.

I couldn’t be more thankful, especially this year, because I’ve found myself in a bit of a morass when it comes to today’s fashions. I am 5’2″, with what could be described as athletic/curvy/stocky legs; I have a penchant for high heels and cashmere, fitted shirts and a clear delineation between my torso and my lower body. The thing that’s going on with leggings, tall boots and long, chunky sweaters? To someone built like me, it feels downright immoral; after spending a lifetime taking exacting measures in fashion to counteract an unadvertised body type, the act of even considering “skinnies,” tunics, Uggs, and blanket coats is just reprehensible.

And yet, I feel an odd pressure to try and (finally) embrace it, maybe because we just bought a mini-van and I don’t really want to look the part, or maybe because I live in such a trendy city, where plenty of people, older than I am, have no qualms with donning a fedora and/or wearing screenprints with skull and crossbones.

I happily pegged my pants and wore a lot of hairspray in the eighties. In the nineties, I’m pretty sure I asked for Jennifer Anniston’s haircut, and I may have worn a vest. But in the 2000s, I settled nicely in to a closet filled with classic sweaters and universally flattering boot-cut pants, none of which were made of leather. I hardly ever came across another person and cringed, thinking how terribly out of style I must look. But then the fashionistas broke out the tall boots and skinny jeans, Lululemon came to power, and people, real people, started wearing it all – and my whole “pearls and cashmere” thing was blown to pieces.

This past weekend, my friends and I discussed several things: school choices for our children, baby naming, dinner ruts, work/life balance and, of course, the current fashion trends. Now, I should be clear that all the girls with me last weekend are a lot more on-trend than I am, but the general consensus was that much of what we see happening out there is, at the very least, difficult to identify with.

After a discussion about the right and wrong ways to wear the styles today, I started feeling a little braver, though. I resolved to update in the most timeless way possible, and on Monday, before the feeling wore off, I rushed to the mall.

After sending my friends a variety of selfies from the dressing room, in which I am making ridiculous faces in the mirror while trying on clothing that makes me look like a potato, we reached an agreement on a few things that were deemed not so far outside my personality that I should not buy them. I have boots now, pants that are skinny enough, but not obscene, and a few tops that, according to people other than me, might be described as flattering.

My husband was out of town when I went shopping, and since he returned, I’ve worn some derivation of this new style – what he has referred to as “strange fashions” – every day. I’ll admit that it’s nice to have a few new things to wear, and that it is good not to feel so stuck in 2008. But I won’t feel I can own this look for some time, if ever.

Fashion has a way of pulling even the most confident women into a delicate state of vulnerability. We hear a lot about the dearth of real body types represented in the media, but very little, really, about how clothing trends are chosen and the aftermath for those of us at the mercy of people who design clothing for ladies who weigh about as much as an average American 12 year old. As a woman, I find this exasperating; as a mother of two girls, I foresee a lot of long talks in dressing rooms, and I hate that they, at some point or another, are going to feel their worth is in the clothing they wear, or how they wear it.

If you see me out and about sporting my new style, know that I am pretending, at least a little, and that underneath that voluminous sweater I’m wearing, I’m holding my breath, waiting for a new trend to spike.

A Submission Call … and Some Thoughts on “Calling”

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About five years ago, two of my favorite writers and I launched a fun online project named Proximity. The effort was theme-based and made interesting by each of our different locations – Madison, WI (Carrie Kilman), Atlanta, GA (moi), and a small village in South Africa (Maggie Messitt). For each “issue” we chose a place, usually physical, sometimes temporal, and we wrote a short essay about our experience of it, yielding a diverse trio of perspectives. The project lasted a year, at which point we each felt it was time to move on.

Now, Maggie, Carrie and I are excited to serve as editors of the “new” Proximity, a literary magazine in the same vein as the original. We’ve added Traci Macnamara, an old friend with a stellar writing voice and a concrete sense of place, to the editorial team, and we plan to launch the first issue in January, 2014. Its theme will be “Morning,” and submission guidelines can be found on our web site. Please check it out, “like” us everywhere we can be “liked,” and tell your friends!

For my part, I am having a difficult time transitioning from having full-time “mom/family thoughts” to “mom thoughts” slightly diluted by “writer thoughts.” Everyone still needs to be fed and the kitchen cleaned three times a day; there is still, on average, ninety minutes of laundry to be folded and put away at least a few times a week; and there are things to volunteer for at the kids’ schools, and cookies to be baked, and parental awesomeness to act on.

And yet I now have this separate, highly creative project that I want to contribute to in meaningful, productive ways.

How I can make that happen in the midst of an afternoon like I had yesterday is going to be a work in progress. First, the baby tripped and split his forehead open on the (brick) corner of our house. Once consoled and cleaned up, he then dumped the contents of his diaper on the pantry floor (only to be found by me later, while grabbing canned tomatoes). At about the same time as the head injury, my three year old was yelling at the top of her voice for a headband she could not find among the playroom’s detritus and my five year old was having a monumental, if not historic, meltdown about misplaced butterfly wings.

Did I mention that we were having another mom and her two kids over for dinner and that the dads were working late? Our guests showed up just in time for me to find my 18 month old’s “present” in the pantry.

All is well that ends well, and it mostly did, except that Elizabeth (3) bit Claire (5) so hard on the back while I was putting the baby to bed that I could still see each tooth’s individual imprint fifteen minutes later. And speaking of teeth, I also had to play tooth fairy, which I think is the world’s most ridiculous joke on parents who really, really want their kids to believe in magic for as long as possible. Trying to get a tooth from underneath a sleeping child’s head in the middle of the night, especially when she shares a room with a light sleeper, without blowing the tooth fairy’s cover, is very nearly impossible. (Mission: Accomplished.)

Life does not slow down for me – for anyone – long enough to take stock of where I am and where I’m going. There is no time when I am not doing something, or neglecting something that needs to be done purely for reasons of self-preservation. There is no mossy rock on which to sit on and dream, to organize and plan for the next project, be it familial or professional. I read the work of great essayists, poets and novelists, past and present, and wonder how they found the time and the head space to put thoughts and words together in such beautiful format.

And for a few minutes, I find myself fraught with jealousy and dismay.

Writing is, in essence (and at its best), an act of service to the greater world. I have always wanted to minister to others in some way through my writing – to serve them for the better, because that is what writers, and so many of my writing teachers, have done for me.

But right now, I am spending my life – all the resources my heart and my mind have to offer – on the cultivation of little people’s hearts and minds. It is a service I did not know I was equipped for, but I am. It is a service that I thought would feel like a burden, but it doesn’t.

Yesterday, as I was talking to my amazing sister-in-law on the phone, I brought up Proximity and mentioned how long I’d been out of the game and how crazy it feels to be snapped back into a place of wanting to play again, in the midst of the three kids and the busy, ambitious husband, and everything else.

And she said, in such a beautifully casual way, “Right now you are writing – you’re writing your children’s lives, and one day there will be more time for writing of your own.” I almost burst into tears at the thought of engraving words into the tiny hearts in my care. I had never thought of it that way, but now I will.

How the calling of motherhood dovetails with the calling of writing for the greater good, even if we’re talking about a fairly small audience, is something that I cannot begin to wrap my brain around, but I feel confident, in a way I am not usually confident, that it will.

Editing Proximity-as-literary-journal is the beginning of that journey, and I could not be more thrilled to be a part of it. To learn more: http://proximitymagazine.org/about/

On Writing and an Unkept House

Over the weekend, I was reading a little of Billy Collins’ poetry collection, Sailing Alone Around the Room. I love Billy Collins’ work, and not just because, as a former US poet laureate, he’s a high-profile poet. I love Collins’ writing because he finds meaning and humor in every day things and communicates those lessons by composing poetry that feels tangible and well-reasoned. His lines make you think, but not too hard. That’s a feat for a poet.

At any rate, I was reading this collection of Collins poetry on the way to the mountains last weekend and came across a poem entitled “Advice to Writers.” The first two stanzas read:

Even if it keeps you up all night,
wash down the walls and scrub the floor
of your study before composing a syllable.
 
Clean the place as if the Pope were on his way.
Spotlessness is the niece of inspiration.

 

I had to wonder if Collins would offer writers with two children under the age of four the same advice, or if he might just say to make sure the diaper bin had been emptied, the breakfast dishes cleared, a path made free of toys, princess tiaras and the previous night’s pajamas.

Later in Collins’ “Advice to Writers,” he writes, “…you will behold in the light of dawn the immaculate alter of your desk, a clean surface in the middle of a clean world.” My only consolation upon reading this is that the man must be crazy; I have a desk, but it is far from being an immaculate altar – it’s currently covered in Claire’s (highly entertaining) artwork, four craft buckets, puppets, and the detritus of our every day lives. It seems my desk has become the sacrifice rather than the altar to which I bring my words for penance.

My house is a disaster. Since August it seems like we’ve barely been home, and when we have been here, I’ve hesitated to put away the unpacked bags, or even to completely unpack them, because another trip was on the horizon. Elizabeth is in that delightful phase where she treats emptying boxes and bags as her full time job, and Claire, my unkempt little princess, tries on several outfits each morning before settling on any one and refusing to let me brush her hair. I folded two massive loads of laundry yesterday while the girls were napping; I can’t bring myself to face the third, waiting for me in the dryer. On days when the girls are at school I often take myself off-location, but honestly, there’s no place like home for writing. I can focus here, even if it is messy, and I can write without feeling self-conscious or pressed for time.

In all seriousness, I get what Billy Collins is saying. I agree that an orderly life most often leads to orderly inspiration, that a mind clear of nagging chores does better work. But if I waited for my entire house to be clean, for my children to be perfectly presentable, dinner expertly cooked, and for all my motherly and volunteer duties to be wrapped up in a lovely little bow, I would Never. Ever. Sit down to write.

So, here I am, sitting on my rumpled couch, in front of my magazine/children’s book scattered coffee table, going after inspiration in whatever form I can find it. Sorry, Billy. I’m taking Annie Dillard’s advice, instead: “Get to work. Your work is to keep cranking the flywheel that turns the gears that spin the belt in the engine of belief that keeps you and your desk in midair.”

 

 

Reunion

We met at a tree-lined, lakeside picnic shelter on Saturday afternoon. The Kintzes, having juggled nap times and an ornery three year old, arrived late, and we entered the scene carrying a gigantic, unnecessary watermelon. But as soon as we stepped out of the car, we were met with the warmth specific to family – that strange, but instant bond.

The tables were filled with fried chicken and pasta salad, ham biscuits and Chex mix. They were lined with people I hadn’t seen for five or ten years or more, and yet I was known to them, if not in my present state, certainly in some past version of myself, which, in some ways, matters more.

The cousins I tended to when they were babies are lovely young women now – almost the same age I was when I was their babysitter. And yet, somehow, the cousins who knew me when I was in diapers looked the same to me: still my senior, but otherwise only vaguely aged. There were too many people missing, which I guess is the hard thing about family reunions; they were there in photographs and conversations. It was a scene in which I could easily picture my father – the reason I was there – and if I had the power, I would have put him on the picnic bench eating fried chicken, wearing his suspenders and belt and that smile that always seemed to know more than it was telling.

Family reunions are sort of funny if you think about them. All those disparate parts, far flung, gathering for one hot afternoon, or one long weekend, in hopes of conjuring up connection. It doesn’t sound like it would work, or that it might even matter that much. Why pack the kids in the car for a five hour drive so that a collection of relatives can lay eyes on them/us, or vice versa, for such a short time?

I haven’t quite got the answer, but I know that it matters, and that I’m glad we were there. I know that there is something great, something respectable about considering and honoring one’s lineage, making peace with it, even, if that’s what it takes. I know that it’s something special to hear someone you hardly know speak fondly of someone you deeply loved, and that there is something wonderful about the way someone who knew you as a child regards you as an adult.

I know that it is a beautiful thing to see my dad’s sister’s kids watch my baby girl wriggle from my arms and crawl away from the shelter, so that the raindrops from a sudden summer storm could douse her. And that that moment was made all the more meaningful, for me, at least, because my dad and his sister aren’t here anymore. No one called us to to give any guilt trips, or to suggest someone’s feelings would be hurt if we didn’t show. We came because of that invisible thing, specific to family, that requires our presence, and because we wanted to capture it, if only for an afternoon.

Genius

On occasion, my husband, A, and I have conversations about what we would do if we had an inexhaustible amount of money. Since I will likely never have to make good on this, sometimes I try to impress him and say I would give away half and invest the rest. But if I’m honest, I tell him I’d spend a lot of it on continuing education, enrolling myself perpetually in classes covering everything from literature and art history to astronomy and biology. I would want to be responsible for completing a lot of interesting, difficult homework for these classes and to get a real grade, even if my grade ended up not being very good (see: astronomy).

I am not owning up to this so that you will think I am smart, but because it is (somewhat embarrassingly, strangely) true. There are just few things I love more than school, and there are few ways to recreate the joys of discovery found in a university setting once your time is up. Until now.

A couple of years ago, I discovered TED, which stands for Technology, Entertainment, Design.   Each week, experts in their fields speak for twenty minutes on their newest discoveries, creations or innovations, and TED, God bless ’em, puts these talks on the world wide web for free. Like that favorite college professor, the presenters are all, almost without fail, charismatic, convincing and convicting. They cover fascinating topics you wouldn’t otherwise know or care anything about, and, before you know it, their passion for natural light or leadership or the printing of organs has hopped from their minds and hearts to yours in a matter of seconds.

The constant presence of the Web is, in my house, anyway, not always the best thing.  Like the Pied Piper, the charming, insidious chimes of our cell phones and the ever-presence of the internet and its relentless deluge of (often useless/empty) information,  leads my family away from one another, because family – even at the very happy, early stage we are in – takes emotional work and active investment, while our electronic “communications” allow us to function at B-level all the time.

But the makers of TED have somehow redeemed the internet for me, making it, in my mind, what it should be – a vehicle not only for spreading ideas, but inspiration, artfulness, intrigue, beauty and light in a world that shifts all too naturally into corners of desolation, defeat, cynicism and darkness. And although it doesn’t assign homework (am I the only person who’s disappointed about this?), TED does allow for the kind of interesting follow-up conversations that I crave, especially after a day of saying “no-no, no-no” to an eleven month old and “yes, of course I want to see how (big you are/well you can crunch your pretzel/beautifully you twirl)” to a three year old. Watching TED reminds me that there are still amazing and incredible things happening in the outside world, and it allows me to be a part of them – if only vicariously, for now.

To watch: http://www.TED.com

FirstWord/LastWord

Christmas Clairewww.keriecleveland.com

On Saturday morning, Claire awoke in a happy mood, babbling in her crib for a good long while before demanding to be taken out and given milk.  When she finally did “call” for us, Andrew and I were still feeling lazy, so we pulled her into bed  for what we hoped would be some nice baby snuggle time.

But our unmade bed is to Claire a fascinating obstacle course.  She crawls over stray pillows and random coverlet lumps as though she is an all-terrain vehicle, plowing through the rumpled sheets while making sounds akin to a sputtering engine.  In dim light, she finds our faces with her little hands and grabs hard at our noses, or slaps our cheeks.  Occasionally, Claire will face plant into a pillow and suck her fingers for a hopeful moment, but this is just a way to buy some time while hatching a plan for her next adventure. Always, she heads towards the nearest edge of the bed, which is 32 inches high – a number we know because we had to measure it after Claire, at six months, rolled off.

All of this makes for a less than restful snuggle. But it’s fun, and it delays the beginning of our inevitable morning routine.

At some point during Claire’s Saturday morning theatrics, Ivy sensed a good time and bounded onto the bed with us.  The baby, who was delighted, and completely unphased by Ivy’s tail,  giggled and squealed “EyeBee!” All other babbling we have been able to write off as just that, but the “EyeBee” we heard from Claire on Saturday was an intentional first.  She’d put two and two together.  Today, she did it again.  At lunch, I caught her passing  pieces of chicken and cheese to her new best friend, the vehicle for her first intellectual milestone: EyeBee.

Just as Claire ends 2008 with her first word, I end this year closing out “Joyful Things”.  Certainly, as I’ve continued to grow as a writer, this site has become a surprising tool in helping me suss out fake narrative voice – too many of my friends read this for me to go around putting on airs – and, it’s served as a constant reminder that writers are never truly out of ideas.

In closing, I hope this little blog has captured the wonder of the every day, that it has rung true, and that it has pointed to the power of paying attention.  In writing, I think that’s what we’re all after – or at least I am.  I’ll keep doing it, in a somewhat more structured way of Wandering at www.proximitymag.org, beginning January 1.

Proximity is a collaborative project with two of my writer friends, Carrie Kilman and Maggie Messitt, narrative journalists in Madison, Wisconsin and rural South Africa, respectively.  Each week, we plan to spend an hour at a chosen location in each of our cities (coffee shop, bus stop, restaurant, etc.) and write around that theme.  Later, we’ll ask readers to contribute their own posts in what we hope will become a global portrait of common ground.

I hope I’ll see you there.  In the mean time, Happy Holidays!